Mark Clark

Mark Clark is an Aussie songwriter, scriptwriter, voice over, author and drama coach. He was Pip in the ABC's version of Ethel Turner's Seven Little Australians.

 

The only poetry I write now is song lyrics. But I used to write poetry. Here are a few.

Animal Time

Hold fast your Spartan toes, strange animal,

Cling, and with your bat-like tenacity

Swing forgotten

In the fluid machinery of clock time.

Pond your silly neck upon foreign shores, strange animal

And like generations before you

Cower in your lonely chamber

Jealous of the sun.

Wings for a dungeon.

Kite freedom.

I sit in my quiet corner

And thumb a passive pencil

Dreaming I dreamt a dream

Thoughts jerk uneasy

Like uncomfortable house guests

Seeking expression in an ashtray.

They will not be still.

Mid 1980

Upon a Razor's Edge

What might be

What may have been

As I doodle in these empty cubes of time

Is not for me to know.

The steady pulse of night

Can extirpate with careless hands

The flower it has so laboriously grown.

One second

For he agony of routine words upon the phone

To fill my heart with disbelief and tragedy.

One second

To shatter the illusion of a lifetime

To knife the threads of logic to non sense

To charge with fact

Tranquility to chaos.

Weak with an anger that feeble limbs betray

This belching heart within frail limbs

Is in an instant caged.

Trapped by a knowledge that time will not reverse

My bulk becomes a coffin for my brain

I am a hearse

Until the fog of bathroom tiles

In cubicles of vision

Spills its life without remorse

Upon a razor’s edge

One second

What might have been

Was not;

And I may breathe again.

8.9.80

Pinpoint

I suck the universe into my every crevice

I am not to it

It is to me

I am the pinpoint of all I see.

I am not to it

It is to me

Yet a pinpoint is all I see.

Perspective

(Come- approach the stage, young man,

Your awkward sprawling gait

An edifice to your time and age.

What happens in the end, old man

Will find another label.)

Spread hard against the canvas night

Unstable beads of distant daylight

Dagger diamond wounds.

The cumbersome moon (my host)

Displays his relatives with almost

Routine reverence.

His moment fades

His claim to sky

Evening to morning upon my eye.

The genius of universal compromise.

Stars, I hear you chuckle in your infinite skies

As a human form polishes morning eyes:

‘Is the sun out today?’

So who am I

That I might raise my hand

To pluck a galaxy, unseen

And pen in hand

Upon this microdot stand

Name it for country or queen?

I call myself man.

I label things.

I am unashamed.

I have walked upon the moon.

Late 1980

My Winter Love

When the bitter southern wind

Cuts its teeth upon the razor edged buildings

And the winter children

Scamper with dogs to secret places;

When the brisk Australian air

Hangs in blades about my tongue and throat-

Then I will remember my winter love

And how the tang of that season

Crept in layers about us

As we lay content and lush

In the juices of our love

Exalting within the thin borders of our world.

18.6.81

Without/Within

It is a broken thing

                        this world without you

A splintered, broken thing

                        rusty and thin.

A fitful slumber, crazy and wild

Wounded and charging in angry solitude,

Shaking the rotten globe,

Straining in constraint,

Caged in blood and bone,

Dissatisfied; eager; impatient,

Stamping its childish feet for attention

And finding

                        none.

It is an empty thing

                        this world without you

Full of an emptiness

raging within.

A crag of crumbling rocks

And ominous, furious, coiling clouds;

Numb and jumperless

This broken toothed hour

                                    without.

Clawing, cramplike, pain in soul

                                    without my drug

                                    my need.

Dead images crawl and are badly seen

                                    in this world without

                                                            within

And in this anger, these angers, this love

                                                still lives

To leave me, without you

And when, without you

                        leaves me totally without

                                                            within.

Late 1981 or early 1982

Elegy to an Airline Hostess

Our love has been-

A rose half draped in sunlight

A promise half performed

A trick of day and night time

Half buried and half born

Half fed on hope and wonder

Half drowned in hate and pain

Half over and half under

Half waxing and half waned.

You used to grip my fingers

When I said that I loved you

You used to give your generous mouth

And say: ‘ I love you too.’

You once ached for me truly

As I still do for you

But now when I say: ‘I love you.’

You say, ‘I know you do.’

Our love has been-

            A rose half draped in sunlight

            Half sunlight and half

            It’s dainty petals crushed between

            The passages of planes.

September 1983

Untitled

So come with me now

Into skyscape of galaxies

Spiralling Catherine wheels

Countless in suns.

Think with the light

In its numb state of consciousness

Feel with it.

Open your mind.

All is one.

1984

No start

No end

No thing at all

Collective agreement is all.

What of the thing

Which is no thing?

There is no thing

Except the process in between

The no thing

And us all.

1984

Me Mum’s Birthday

Mum, today you’re fifty-two

And you should know we care for you

Although sometimes you make us blue-

Mum, we really love you.

Although you often scream and shout

If the washing’s not put out

And nothing there’s much ado about-

Mum, we really love you.

Although you worry for no reason

And bash our ears through every season

And though you are devoid of reason

Mum, we really love you.

Mum, we love you

Though you’re wrinkled and small.

Mum, we love you

Though you hassle us all.

Mum, we love you

Though your brain is small.

Mum, we really love you.

April 1984

The Gift of Ra

The rain comes down upon the planet

And all around the trees luxuriate-

Roots delving deep’

Drinking full from the soils cup.

Winter’s dull squat

And the black birds aloft

Crying for moisture.

Light aircraft blink through their windscreen eyes

Above the bitumened earth

Where water bubbles and splutters

And falls into gutters

Which the drains gobble up without protest.

Across the street

A telegraph pole triumphantly holds

His precious, drooping wet cables

And powers the light by which I write.

He rots more slowly than the eye may discern

Beneath the pitiless late winter rain.

Next summer he will bake

Beneath the archer sun

Who will crack his bow

At the parched, enduring wood.

Schools out

And the infants pass in noisy parade

Dodging the droplets

For they are young

And foolish enough

To know the truth about rainy days.

They are the gift of Ra

The God of the Sun

Who provides such days

To keep us washed and spun.

Winter 1984

Bullets, Bombs and Canon Balls

I was hit by a bullet the other day

It must have come from miles away

‘Cos it didn’t hurt much at all.

A passer-by, who heard me yell

Approached me with a tale to tell

About a canon ball.

It seems that he was keeping goal,

A grim patrol, for the day was wet

And he was caked in mud and sweat

When a ball he spied

And so he dived

And it took him through the net.

And then a woman who had seen

What just had been

Said that once she’d been on a trampoline

When a bump she felt,

And the ground she saw,

And when she woke,

Upon the floor,

Beside her there

In two was spliced

A thermo nuclear device.

Unlikely though these stories are

Once a woman was hit by a falling star-

It was of course a meteor

And her leg was sore

But what is more the earth it falls

Like bullets, bombs and canon balls

And if by chance we fell on God

I wonder if we’d wake the sod?

Late 1984

The Bowl

The bowl above,

The bowl below,

If the earth were transparent

And the sun didn’t glow

We’d know

The motion of the heavens from the earth.

The bowl above,

The bowl below,

If the earth were transparent

We’d feel mighty insecure.

The bowl above,

The bowl below,

If the sun didn’t glow

We wouldn’t be here.

The bowl above,

The bowl below,

A crusty earth

And a sun that glows

Is just enough for us to know

Comfortably.

Late 1984

Woodpeckers

The time when a man’s voice could thunder the globe

Is not now. Now is for woodpeckers

Tenaciously pecking the trees’ brittle skin.

Bury your beak in the bark, little pecker

The forest is not yours to view.

Aristotle gone mad in the nuclear lab

In a world when physicists

Conclude with Hindus and Buddhists.

So here is the forest

And here are the trees

And here are the woodpeckers

Each one to each.

Drink from the river

For it will remain

First to sea, then to rain, then to river again.

Philosophy, science, art and technology

All of these rivulets drink from them too

Each in its measure

And conclude what you will

For conclusions are nothing.

Back to your tree, little pecker

But come drink again very soon.

You may not know the forest

But the forest knows you

Your diligent search for an insect treat

Has made many a home for a rest

Or a meeting place for

Tired travelers and feathered families.

When will we know the forest?

When we longer ask.

When the billions of trees

And the trillions of rivulets

Crumble to one common seed.

When will that be?

In death there will be time to breathe.

When the tree and the forest are one and the same

When the dance and the dancer are one

At a time when man’s thunder is needed no more

And all is regarded as one.

Early 1985

The Man Without a Friend

There was a house upon a hill

Above a bay, beneath the sky

Within which lived a man who cried

Because he had no friends.

He’d tap his stick upon the floor

Within his barren corridor

And there, upon his rocking chair,

He’d lose his hair.

Beyond the trees, alive in day,

The restless beauty of the bay

Was evident to all but him

This lonely man without a friend.

And seldom did he move outside

Too often would his thoughts collide

And leave him misty on the street

Where all the living humans meet.

His happiness was all behind

Instead, he sat inside and cried.

And none would enter through that door.

The telephone upon the floor

Had ceased top ring two years before

When Emily had died.

And so he cried and cried and cried

Until his feeble body dried

And then he died

Within the house upon the hill

Above the bay, beneath the sky.

A note was found upon his chest

Which smelt of death

And read:

I have known the best

I have seen the rest

The best has left

What is left

Is the rest.

Poor poetry on which to end

Sad, lonely man without a friend.

Late 1984

The Truth of the Matter

Little stars down thar

How are you?

Who is the master

Me or you?

For the truth of the matter

Is that nothing is true

And the sun doesn’t shine for the day.

Little ball I fall

On top of you

Who is the master

Me or you?

For the truth of the matter

Is that all is true

And the sun does shine for the day.

There’s a diamond in the middle of a big yellow star

Bigger than a breadbox

Bigger by far

That’s not true but some things are

And it really doesn’t matter anyway- Hey!

Little black box skies all in a row

It’s so cold tonight that the stars won’t glow

Once we know what we’re doing here

We’ll all go ‘Poof!’ and disappear.

You are a silly boy

Yes you are.

Bigger than a breadbox

Smaller than a star

For the truth of the matter is that nothing is true.

For the truth of the matter

Is that all is true.

For the truth of the matter is that matter isn’t matter

And it doesn’t really matter anyway- Hey!

And the sun doesn’t shine

And the sun does shine

And logic can only explain.

Late 1984

Other Planes

The other planes of consciousness

Of which we have no notion

Are hid beyond the tumbling sky

Beyond the sense which we employ

To analyse their motion

And if we could

T’would be no good to us

We sluggish atoms

Who formed like cloud in empty sky

Then fell like heavy frozen light

Within the freezing solar night

In sub-atomic patterns.

Friday the 13th

A peal of thunder

A sprinkle of rain

Which runs into big blobs of thick heavy rain

Which turn into hailstones

That jump up and down

And frolic about on the green sod ground.

First rain to hail

Now hail to rain

Now thunderclouds

To hail again.

You wicked sky

You punish us so

You bring us hail but never snow.

The ground must be hot

For the hail jumps around

As if Dante’s inferno were under the ground.

The motorbike sits

In its squat little way

An eight sixty Ducati- all wet from the rain.

The peg bucket shivers

All yellow and cold

All full of the deluge this afternoon holds.

Two towels on a line

And a sprinkling of pegs

(These pegs are all grieving their poor drowned friends).

Two pegs are unlucky

And must each bear a towel.

One says to the other:

‘Who ever heard of a big towel

And only one peg?’

‘Especially a wet towel,’

The other one says.

Now the calming of sky

Now the ceasing of rain

Now the glum froggy tone

Of a cowardly plane.

Poor washing machine

You’re all humble and wet

You’re outside because you’re all rotten and dead

Dark clouds linger on

And won’t let you forget.

Our bent barbeque

Our tall, noble gum

All bathed in a shower of afternoon sun.

Soft rain? And the sun?

So I walk from my house

And turn to the east

To a rainbow and clouds.

I have just seen a friend

She has filled me with love.

In this early spring evening

There’s a rainbow above.

But still, ‘tis not still

In this wet heavy sky

There is thunder about

And the heavens must cry.

13.9.85

The Abyss

Where is the girl of my soft winter passion?

Where do you wander my lost winter love?

Too many seasons have passed in between us

The abyss below and the abyss above.

Where are you woman whom I loved so dearly?

Where are you woman whom I dearly loved?

Too many seasons have passed in between us

The abyss below and the abyss above.

We spiral through time in a dumb easy motion

On opposite sides of the star wheel we spin

Memories frozen in photograph albums

The abyss outside and the abyss within.

If it be that to separate futures we hurry

So be it for what is to be is to be

But I want you to know that my heart is still open

I think of you often, Miss G.

So where is the girl of my soft youthful passion?

Where do you wander my lost winter dream?

There’s an abyss below and abyss above us

And too many seasons between.

February 1985

Los Angeles

Los Angeles found us once again as lovers-

A brief sojourn far from rusty shores.

The evening took its leave

The morning spread around us

And I loved you as I always have

Maybe even more.

You by my side in a hotel room.

I cried when we loved

For the beauty was too great.

Now, one year removed,

Under twelve empty moons

You have found yourself another mate.

14.3.85

Timelines

Seekers of symphony

Lovers of light

Answer this question for me:

If I think of the past

Was I in some sense present

When the past was the present to me?

If I dream back to Manly in bitumened spring

When the rain held my lady and me

If I sniff in the fresh road

And see us together

Was my thought there as well?

Or could it be

That the past comes to present,

The present to future,

But only one way does it flow?

And that what is behind us

Does not contain us

In any sense as we are now?

What exactly is now?

And what is a minute?

And what is all manner of time?

But a record of passing

By all those who pass

Which can later be graphed on a line?

So here is the timeline

And here is what happened,

It was fate and it all had to be.

Tell me how can you argue?

For the timeline that stares at you

Tells you that it had to be.

It had to be simply because it all was

And is, as the timeline makes clear.

So the past makes the present,

So the present the future

And the future?

Well, that makes us here.

So we prod at the timeline

Which ends prematurely

At this day (whatever that be)

All the past is spread out like a tramline behind

But the future is not ours to see.

For is it not so that time’s uniform flow

Is the same everywhere

As for you and for me?

What rubbish I say

That’s the white western way

That’s the view of a rat in a cage

That’s the idiot truth

Of the analyst’s goose

As he lays out his eggs day by day.

For surely, in some sense,

It all happens now

For ‘now’s’ only the egotist mind

As it carves up and plans

From where it now stands

Relatively it rules and defines.

So fate is a matter

Of judgement from future;

And random chance

Judgement from now

And if what will happen

Has already happened

Then what has once happened

Contains, in some sense,

Now.

September 1985

The Loyal Dogs

What loyal dogs, these ugly men

Who fix to endless bayonets

To kill a man they do not know

Because their country told them so.

What simple, sloppy, dog-like tricks

To slobber and sprint at passing sticks

What loyal dogs, these ugly men

By land, by air, by sea again.

What silly creatures, docile and dumb

To plough behind the latest gun

To shoot at those they do not know

Because their country told them so.

What fools to waste their fertile lives

In anti-population drives.

What loyal dogs, these ugly men

This lemming flock for governments.

How ill-informed, these dogs of war

Who do not come here any more.

How ignorant, this fallen line

Who fell upon another time

Before the west had TV screens

Aghast with international scenes.

What loyal dogs, these men for war

This missile food, these capitalist whores

This numb parade of mothers’ tears

Oh, that the loyal dogs were here.

Attack? Defence?

Good reason? Plain fear?

Oh, that the loyal dogs were here.

23.10.85

Colin and the Rat (Oversized Mouse)

Colin has gone to America

There’s a rat in the roof of my house

Colin is out of Australia

And I’ve got this oversized mouser.

Colin’s extended horizon

Reveals tiny miles far below

While the width of this rat blocks my vision

(I hope like all fuck it don’t grow.)

For Col, there’s the ultimate fancy

Of shaving cream clouds far beneath

While for me there’s the worry of whether or not

The bastard has nasty sharp teeth.

Or whether one night I will wake with a jolt

To the sound of this hideous bulk

Which might run at my face

In a mad rat-sac rage

The ultimate vermin- Rat Hulk!

While Colin descends top mysterious lands

Where rock bands get laid and snort coke

I’m off, down the shops to get rat-traps and cheese

(Until I remember I’m broke).

So Colin is going to parties

And living it up like a prince

Whilst I, having looked in the cupboard

Discover rat faeces and prints.

While Colin’s controlling the world’s biggest band

I’m inside controlling my fear

On the floorboards the scuttle

Of rats’ feet on rubble

Tells me that baby rats are here.

When Colin returns to Australia’s shores

To this land where we grew side by side

I’ll be bashing small rodents with heavy blunt objects

Whilst kicking cockroaches aside.

Now Colin’s returned from America

I’ve enough rats for several houses

He’s lookin’ ‘real fine’

While I’m worried and lined

For a plague has come down on my house, yes

He’s looking’ ‘real good’

And I’m wishing I could

Get rid of these oversized mouses.

I forgot to mention that Colin has got a broken jaw.

He’ll be wired up for another few weeks and even then

He won’t be able to eat solids for quite a while.

Several weeks perhaps.

5.5.85

Wedding Bells and Graves

When the soul is mad with pleasure in its youthful years

And enthusiasm gallops broken-reigned;

When the master is asleep, his house attended not

And his children unattended in their play;

When the babes crash o’er the woods like kites on broken strings

And their world is full of marvels unrestrained,

Plays full or broken stringed within their maverick hearts

Both in their equal measure- love and pain.

Then an ugly, brittle voice about the canyon walls

Echoes like a bullet in a name

And each whose name is heard must tread the piper’s path

To pass from magic night to broad clear day.

Now, all at once the passion of its youthful years

Is spent like desert wind and in its place

Are erected routines sensible

In fortresses impregnable-

A metred life of wedding bells and graves.

6.7.92

© Copyright 2023 markclark – Lamplight Productions